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A festival of people asking questions, a serious topic raised by the 2026 Seoul International Book Fair

Written on: June 24, 2026 | Column by current affairs critic specializing in IT/media

Representative image (Hugging Face creation)
질문하는 인간들의 축제, 2026 서울국제도서전이 던진 묵직한 화두
Introduction Introduction Card

The long waiting line filling the front of COEX, cutting through the early morning air, clearly shows how thirsty modern people, tired of the cold screens of digital devices, are for the primal value of paper and active language. The ‘2026 Seoul International Book Fair’, which celebrated its 68th anniversary this year, went beyond simply being an exhibition introducing new books, and transformed into a huge venue of knowledge where fierce discussions were held about what it means to be human in an era dominated by artificial intelligence. This event, attended by 538 publishers from 18 countries, is more than just a viewing, it is a dynamic venue where readers, authors, and members of the publishing ecosystem come together to explore the future. We would like to take a deep look at the message behind this book fair, which started with a hot open run, to our society and the essence of its popularity.

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The core theme of this book fair, ‘Human Declaration Homo Duduri’, defines the essential human attribute that we must not lose amid the rapid development of technology as ‘beings who constantly ask questions.’ It contains the philosophical message that the way to protect human dignity is to constantly knock on doors and raise questions toward unknown areas, rather than being satisfied with the refined answers provided by artificial intelligence. As proof of this, the site welcomes visitors with over 400 tightly organized programs, from seminars exploring human existence in the AI ​​era to lectures by experts in various fields such as literature, art, and science. In particular, Korea's top writers such as Eun Hee-kyung and Kim Ae-ran, as well as intellectuals from various fields such as brain scientist Jang Dong-seon and behavioral ecologist Choi Jae-cheon, participate, making it a channel for interacting directly with the public and quenching their intellectual thirst.

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In order to strengthen the event, the Ministry of Culture, Sports and Tourism and the Korea Publishing Culture Industry Promotion Agency added their strength by fully supporting the program operation and promotional activities of 131 publishers. The intention is to revitalize the publishing ecosystem and provide readers with a richer experience by supporting book talks with authors, signing events, and unique promotional plans beyond simple booth rental. In this way, promoting the qualitative growth of book fairs through cooperation between the public and private sectors is also a process of reaffirming that the publishing industry is a core driving force that produces cultural value beyond simple product sales. In fact, visitors are enjoying a sense of cultural satisfaction that they have never felt before, such as examining the plans for independent publications that are difficult to find in bookstores, communicating directly with publisher officials, and experiencing the vivid process of book creation.

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Behind the spectacular box office success, there are also bitter conflicts and structural concerns within the publishing industry. The inability to accommodate all publishers wishing to participate due to the problem of space shortage, which recurs every year, has led to controversy over the transparency of the book fair's selection process and raised critical views of it as ‘privatization.’ This conflict eventually led to a division in which the ‘Publishers’ Association Calling for the Restoration of the Publicness of the Seoul International Book Fair’ held an alternative event, the ‘Seoul Proper Book Fair’, on Nodeul Island. This is a clear example of the growing pains that Korea's largest book festival experiences between the public sector and commercial operations, and suggests that the challenges of establishing a transparent operating system and securing publicness must be resolved in order for the book fair to remain a sustainable festival in the future.

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The French Pavilion, selected as the guest of honor this year, exhibits over 12,000 books and presents the depth of world literature and gourmet culture to Korean readers. The sight of world-renowned authors such as Bernard Werber visiting Korea and communicating with readers proves that the Seoul International Book Fair is leaping forward beyond Asia to become a center of global publishing exchange. In addition, business attempts are being made actively to go beyond simple book exhibitions and expand intellectual property rights (IP) to overseas copyright export consulting or performance content. This means that the medium of books is acting as a platform that goes beyond the boundaries of paper and expands into various cultural industries such as movies and musicals, and is expected to be an important turning point for our publishing industry to secure competitiveness in the global market.

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■ Conclusion and analysis outlook

The 2026 Seoul International Book Fair is full of the enthusiasm of ‘Homo Duduri’ who never stops asking questions, but it is also a mirror that reflects the realistic concerns and conflicts facing our publishing industry. The attendance of visitors, expected to reach 150,000, proves that they still yearn for the value of direct communication and the pleasure of thinking that paper books provide. However, in order for future book fairs to be reborn as healthier and fairer festivals, efforts must first be made to resolve internal conflicts and establish a transparent operating structure. In the end, the process of book-loving readers and publishers asking questions and finding answers together will be the biggest asset and future of this book fair, and we hope that this event will be an important milestone in finding those answers.

* This post is a commentary by PlayBBS that analyzed real-time Google Trends popular search terms and related major articles.

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